Broadcaster, journalist, author, and four time winner of the Project Censored Award, Thom Hartmann returned to Forthright Radio with his latest book in The Hidden History Series: THE HIDDEN HISTORY OF NEOLIBERALSIM: HOW REAGANISM GUTTED AMERICA AND HOW TO RESTORE ITS GREATNESS.
This is number eight in the series, and it joins his more than thirty other books.
After the interview with Thom Hartmann, we share excerpts from a speech by Bernie Sanders at a rally of the National Union of Rail, Maritime and Transport Workers in the UK on August 31, 2022.
Returning to Forthright Radio, award winning science journalist, broadcaster and author, Gaia Vince, has a new book out from Flatiron Press, NOMAD CENTURY: HOW CLIMATE MIGRATION WILL RESHAPE OUR WORLD.
Her first book, Adventures in the Anthropocene: A Journey to the Heart of the Planet We Made, won the 2015 Royal Society Winton Prize for Science Books, making her the first woman to win that prize outright.
We spoke with her via Skype on August 22, 2022.
The original broadcast included audio excerpts from the 100th birthday programs honoring James Lovelock, whose Gaia Theory revolutionized the way we approach global crises. Links to the full programs can be found below.
Articles/videos pertinent or referred to in the program can be found here:
In 2019, we interviewed Dahr Jamail when his book, THE END OF ICE: BEARING WITNESS AND FINDING MEANING IN THE PATH OF CLIMATE DISRUPTION, was published by The New Press. In addition to interviewing scientists from around the world, he consulted with Indigenous people as well, investigating some of the cultural and spiritual dimensions of the climate crisis.
After THE END OF ICE came out, he joined with writer and teacher, Stan Rushworth, in interviewing 11 Native women and 9 men from different generations and walks of life to solicit their perspectives. This collaboration has resulted in the book, WE ARE THE MIDDLE OF FOREVER: INDIGENOUS VOICES FROM TURTLE ISLAND ON THE CHANGING EARTH, also published by The New Press.
Stan Rushworth was a full time, tenured professor at Cabrillo College from 1992 til 2008, where he taught Native American Literature and Critical Thinking. He continued teaching and developing Native classes there until 2022. He is the author of three earlier books, GOING TO WATER: THE JOURNAL OF BEGINNING RAIN; SAM WOODS: AMERICAN HEALING; and DIASPORA’S CHILDREN.
Stan and Dahr told their interviewees: “Our focus is the disruption of Earth; how did we get here? how do we move on in the right way? What’s in the way of that? And no matter the outcome, how do we carry ourselves?”
We spoke with Stan Rushworth on August 3, 2022 via Skype.
Links to articles and videos pertinent to this interview:
“WE ARE THE MIDDLE OF FOREVER” is from a poem by John Trudell, The Cleansing (from his first album, Tribal Voice).
Assistant Professor of Political Science at the University of Washington, Jacob M. Grumbach, is a Faculty Associate with the Harry Bridges Center for Labor Studies. His research focuses on the political economy of the United States, with an emphasis on public policy, racial and economic inequality, American Federalism, health policy, climate change and statistical methods.
His book, LABORATORIES AGAINST DEMOCRACY: HOW NATIONAL PARTIES TRANSFORMED STATE POLITICS, which investigates the causes and consequences of the nationalization of state politics since the 1970s, is published by Princeton U. Press.
Richard Gray has directed movies such as Robert the Bruce, Broken Ghost and Sugar Mountain. His latest film, MURDER AT YELLOWSTONE CITY, is the first feature length film to have been shot at the new Yellowstone Film Ranch outside of Pray, MT.
In this interview, we discuss the challenges of filming during Covid; his partnership with Livingston’s Carter Boehm and Chico Hot Spring proprietor, Colin Davis, in building the Yellowstone Film Ranch; their efforts to help pass The Montana Economic Development Industry Advancement (MEDIA) Act; and prospects for the Montana Film Industry after its passage.
The Bozeman Film Society will be premiering MURDER AT YELLOWSTONE RANCH on Friday, July 22 at the historic Ellen Theater. They post this at their website: The once peaceful and booming Yellowstone City has fallen on hard times, but when a local prospector strikes gold, things seem to be turning around. Any hope is soon shattered when the prospector is found dead and the Sheriff quickly arrests a mysterious newcomer. But nothing is so simple in this sleepy western town, and more than a few of the locals have secrets to keep and reasons to kill. As the brutal murders continue, pitting neighbor against neighbor, Yellowstone City goes down a bloody path to a final showdown that not all will survive. 123 minutes. NR. Starring: Gabriel Byrne, Thomas Jane, Isaiah Mustafa, Anna Camp, Aimee Garcia, Emma Kenney, with Nat Wolff, and Richard Dreyfuss.
We interviewed director/producer Richard Gray on July 11, 2022.
Jamie Susskind is a British barrister and the author of the multiple awards winning bestseller, FUTURE POLITICS: LIVING TOGETHER IN A WORLD TRANSFORMED BY TECH.
His latest book is THE DIGITAL REPUBLIC: ON FREEDOM AND DEMOCRACY IN THE 21st CENTURY, published on July 5, 2022 by Pegasus Books.
In it he addresses questions like: Is it possible to “democratize” digital technology? What kinds of rules and standards should govern important algorithms? Should powerful figures in the tech industry be regulated, like doctors or lawyers, or even hair salon workers? Is anti-trust law fit for the purpose? What rules should govern the use and abuse of personal data? Can we regulate social media without stifling freedom of speech?
With more and more news reports of the damage that digital technology is doing to individuals as well as our democracy, Jamie Susskind’s insights into the problems and challenges to reforming this largely unregulated industry are helpful for citizens grappling with the many issues with which we are faced.
Norman Eisen is a senior fellow in Governance Studies at The Brookings Institution and an internationally recognized expert on law, ethics, and anti-corruption. He served as special counsel to the House Judiciary Committee from 2019 to 2020, including for the impeachment and trial of President Trump, which he wrote about in his 2020 book, A CASE FOR THE AMERICAN PEOPLE: THE UNITED STATES VS. DONALD J. TRUMP. From January 2009 to January 2011, he worked in the White House as special counsel and special assistant to the president for ethics and government reform. Norman Eisen served as the U.S. Ambassador to the Czech Republic from 2011 to 2014. In 2003, He co-founded Citizens for Responsibility & Ethics in Washington (CREW), a government watchdog organization.
His most recent book, OVERCOMING TRUMPERY: HOW TO RESTORE ETHICS, THE RULE OF LAW AND DEMOCRACY, is published by The Brookings Institution Press. We spoke with him on June 21, 2022.
Unfortunately our interview was cut short due to technical issues, but this allowed us to share excerpts from the June 23, 2022 session of the House Jan. 6 Committee featuring former Acting Attorney General, Jeffrey Rosen, Deputy Attorney General, Richard Donoghue, and Steven Engel. It is chillingly relevant to our discussion of overcoming Trumpery. In fact, their testimony recounting their united refusal to enable efforts by Donald Trump and his minions to orchestrate a coup d’état, using the Department of Justice to add credence to his baseless assertions of fraud in the 2020 presidential election was riveting. The hearing came one day after the FBI executed a warrant to search former DOJ employee, Jeffrey Clark’s, residence. The hearing revealed that he was the lone member of the DOJ who was willing, even eager, to serve Donald Trump instead of DOJ process or policy. Their testimony, illustrate how radically norms and policies were violated.
In response to news of Matt Gaetz’s 1st Tweet after his request for a general pardon was made public (see below), Norman Eisen responded:
In February of 2022, we interviewed John Leshy about his book, OUR COMMON GROUND: A HISTORY OF AMERICA’S PUBLIC LANDS. That interview can be heard on the forthright.media website. And in fact, the history of America’s public lands is an evolving story. It has always been a tale of competing interests and ideologies with tremendous consequences for not only American citizens, but all of Nature on this continent and as we learn more and more, the entire biosphere.
Our guest today on Forthright Radio, environmental writer, activist and psychoanalyst, Joseph Scalia, III, brought to our attention what’s at stake in the recent revision of a National Forest Service Plan that affects the area bordering the north of Yellowstone National Park.
Joseph Scalia writes, “The Gallatin Range is the last crucial, and wholly unprotected yet indispensable wild country in the northern reaches of the Greater Yellowstone Ecosystem, a vast wild land of some 20 million acres, a true rare find in today’s world of diminishing wild country. Here lives all of the fauna of its pre-1492 conditions.”
“In the Rocky Mountain West, in addition to the despoliation of wild lands by extractive industries as well as misguided efforts at “forest management” – which itself has become a hotly contested and too-often perverted concept, recreation has proved to be a major threat to both the ecological and the aesthetic or spiritual values of these lands. Over and over and over, we have carved up wilderness for another and yet another “use” that degrades its integrity. The policy that has dominated this unending subdivision that eschews rigorous reflections on both ecological science and conservation aesthetics and losses of opportunities for quietude has been known as “collaboration and compromise.” “This model has been promoted by neoliberal capitalist or, one could accurately say here, predatory capitalist corporate foundations on whose grants most Big Green environmental groups have grown dependent for their survival. This is Cornel West’s “the commodification of everybody and everything.” It’s not just that monetary reward drives decisions, but more that corporatization has been unfettered and ubiquitous in its social engineering that has us, as a collective, thinking we can go on indefinitely and with impunity in such acts as the unending subdivision of nature.”
He asks: “What if environmental leaders did not acquiesce to putatively dominant unfriendliness to Wilderness designation? What if they didn’t conform to the story that’s publicly delivered? What if, instead, they got out in front, and argued forcefully – with all the big-money resources they have to potentiate such efforts – what if they argued passionately, persuasively for broad Wilderness protections that are based upon ecosystem considerations, without succumbing to what Aldo Leopold called political and economic expediency? Expediency. A good word: “The quality of being convenient and practical despite possibly being improper or immoral; convenience.”
Journalist Todd Wilkinson, who has also been our guest, called it “industrial-strength outdoor recreation,” supported by “the outdoor recreation industrial complex” and its consumptive consumerism.
The program ends with excerpts from Judi Bari’s talk at an event recorded at the Berkeley Fellowship of Unitarians on April 23, 1993, and a poem by Dr. Ian McCallum, “Wilderness,” (links to both below). We recorded this interview on June 6, 2022.
Here are links to articles pertinent to this interview:
The film, WE BURN LIKE THIS, is a debut feature written, directed and produced by Alana Waksman.
It’s a coming-of-age story of historical trauma, survival, and healing. When 22-year-old Rae, a descendant of Holocaust survivors, is targeted by Neo-Nazis in Billings, Montana, her ancestors’ trauma becomes real. It’s inspired by true events and features a terrific ensemble cast of largely Montana actors, as well as film crew.
director’s statement I never met my grandparents. They were taken from their homes near Radomsko, Poland in 1942 and survived forced labor camps as young teenagers in Russia. I have been told that my grandfather survived a period of time by eating grass. After the war, my grandparents found themselves at a displaced persons camp in Germany. This is where my dad was born, and two years later they were able to immigrate to Brooklyn, New York. My grandparents were proud to be Americans, but my father grew up ashamed of his immigrant and Jewish identities as it was often the reason he was singled out, threatened, and bullied. The day after the 2016 election, Neo-Nazi pamphlets showed up on the doorsteps of Har Shalom Synagogue in Missoula, Montana where I was living at the time. For the first time in my life, my family’s history was suddenly very real. I made this film in order to sort through my thoughts about my identity, the inherited effects of historical trauma, and what self-acceptance and self-love looks like. We Burn Like This is my debut feature, which I have been developing for the last seven years. It is my contribution to the greater healing of Jewish bigotry, which continues to be even more important, timely, and urgent. The storming of the capitol on January 6th was a continued reminder after an exhausting and frightening four years that we are living beside much hatred and rage, and our new administration does not erase the true colors and feelings of our fellow Americans. I believe that it matters to share this story and inspire discussion about Jewish identity and historical trauma in present day America. May we find a way to forgive, accept, and love ourselves and others. May we find the perfection even in the darkest times and in the darkest memories. May this film be a part of that process, and may we all radically heal. -Alana Waksman
Chikara Motomura produced, wrote, directed, edited, and did the cinematography & sound in his film, JOURNEY TO HOKUSAI, which follows Marin County artist, Tom Killion, from his northern California studio to Kyoto, Japan, to study with 5th generation master print makers to learn how to print in the Japanese wood block tradition of Katsushika Hokusai.
In but four and a half days, he produced beautiful wood block prints using the ancient techniques on paper made by “Living National Treasure,” Ichibei Iwano, ninth generation master papermaker.
Forthright Radio 