Maya Dusenbery is a journalist, editor and author of the book, DOING HARM: THE TRUTH ABOUT HOW BAD MEDICINE AND LAZY SCIENCE LEAVE WOMEN DISMISSED, MISDIAGNOSED, AND SICK. It’s published by the Harper One imprint of Harper Collins. Maya Dusenbery has been a fellow at Mother Jones magazine and an online columnist at Pacific Standard. In 2013, she became editorial director of the trailblazing site Feministing.com. Her work has appeared in many other diverse publications from the Atlantic.com to Teen Vogue. I became aware of her work from an article in BBC.com’s Health Gap series of May 29, 2018, ‘Everybody was telling me there was nothing wrong’. Before becoming a full-time journalist, she worked at the National Institute for Reproductive Health.
Maya Dusenbery reveals how women receive sub-par medical care because the medical community knows comparatively less about their bodies, diseases, and too often doesn’t trust women’s reports of their symptoms.
In this edition of Radio Goes to the Movies film maker, James Redford, discusses his film, Happening: A Clean Energy Revolution. It will be opening the BZN International Film Festival on June 7 in the Crawford Theater at the Emerson Center for Arts & Culture at 7pm, and he will be attending.
James Redford embarks on a colorful personal journey into the dawn of the clean energy era as it creates jobs, turns profits, and makes communities stronger and healthier across the US. Unlikely entrepreneurs in communities from Georgetown, TX to Buffalo, NY reveal pioneering clean energy solutions while James’ discovery of how clean energy works, and what it means at a personal level, becomes the audiences’ discovery too.
Reaching well beyond a great story of technology and innovation, “Happening” explores issues of human resilience, social justice, embracing the future, and finding hope for our survival.
On June 8, at 10a.m. in the Hager Auditorium of the Museum of the Rockies, he’ll be joining area luminaries in a discussion, Designing for a Clean Energy Revolution in Montana: Design & Construction Experts on the Leading Edge.
Lindsay Schackof Love Schack Architecture is one of the first certified designers in Montana for the Passive House Institute US. She is a licensed architect in Montana, Idaho, and Wyoming, an adjunct instructor at MSU’s School of Architecture and founding board member of Passive House Rocky Mountains. Lindsey Love of Love Schack Architecture is an expert in natural materials and construction methods. She built her own hybrid straw bale home in Teton Valley, Idaho and strives to coordinate healthy, holistic design in high performance building assemblies. Kyle MacVean of Harvest Solar is proud to get up and work for the sun every day. He’s worked in the solar industry for over 10 years and lived in an off-grid, straw-bale house for six years—an experience which has taught him to never take energy for granted. Susan Bilo serves on the Montana Renewable Energy Association’s Board of Directors and heads Green Compass Sustainability Consulting where she teaches and advocates for natural resource conservation, energy and water efficiency, electric vehicles, and solar-powered net zero energy buildings. Jaya Mukhopadhyay, Ph.D., LEED AP, teaches courses on Environmental Control Systems at the Montana State University School of Architecture and has over 15 years experience in building energy modeling, energy codes, and assessment of commercial and residential energy performance.
In this edition of Radio Goes to the Movies, we speak with Bozeman resident, Christi Cooper, about her years of work documenting the increasingly powerful movement of young people, who are challenging the U.S. Government and the fossil fuel industry for violation of their Constitutional rights under the Fifth Amendment to Life, Liberty and Property.
Her film, a work in progress, YOUTH V. GOV, screens at the BZN International Film Festival on June 9 at the Willson Auditorium at 7:45 p.m. Victoria Barrett, a 19-year-old college student from White Plains, NY, who is one of 21 youth plaintiffs suing the U.S. government in the landmark constitutional climate change lawsuit, will also be attending for a discussion afterwards.
In this groundbreaking civil rights lawsuit, guided by Julia Olson, their lead attorney, 21 American youth take the US government and the fossil fuel industry to court for creating a climate emergency that threatens the future of the youngest generations.
This is not the typical climate change film. YOUTH V GOV brings a new perspective not yet explored. And in the end, YOUTH V GOV will activate youth, millennials, and adults to engage as citizens and to lean heavily on the pillars of democracy that we rely on for the future of our country and the world.
In this edition, recorded on May 16, 2018, we interview three of the producers of INVENTING TOMORROW, an inspiring documentary that features six passionate teenage scientists from Indonesia, Hawaii, India and Mexico, creating cutting-edge solutions to the world’s environmental threats-right in their own backyards. It follows them, as they eventually journey to compete at the Intel International Science and Engineering Fair in Los Angeles. It premiered at the Sundance Film Festival in 2018.
(L-R) Producer Diane Becker, director Laura Nix and producer Melanie Miller
Laura Nix is known for her films The Yes Men Are Revolting (2014) as well as The Yes Men Fix the World (2009), The Light In Her Eyes (2011) about Houda al-Habash, a conservative Muslim preacher, founded a Qur’an school for girls in Damascus, Syria when she was just 17 years old. Her work in film goes back to 1997.
Melanie Miller is known for her work on Detour (2013), and Alaska Is a Drag (2017). Her film work goes all the way back to 2001 as associate producer on the Liars Club
Diane Becker has films going back to 2006, including Five Came Back(2017), Homegrown: The Counter-Terror Dilemma (2016), Legion of Brothers (2017), Jaco (2015) and many more.
(L-R) Melanie Miller, Laura Nix, Jose Manuel Elizade Esparanza, Fernando Miguel Sanchez Villalobos, Sahithi Pingali, Shofi Latifa Nuha Anfaresi, Jared Goodwin, Diane Becker, Jesus Alfonso Martinez Aranda
Project ENEV063T: Bangka’s Tin Sea Sand-Fe3O4 as a Removal of Heavy Metals in By-Product of Tin Ore Processing (above): Intan Utami Putri Shofi Latifa Nuha Anfaresi Banka, Indonesia
Project EAEV008 – An Innovative Crowdsourcing Approach to Monitoring Freshwater Bodies
above: Sahithi Pingali in Bangalore, India
Project EAEV018 – Arsenic Contamination through Tsunami Wave Movement in Hawaii: Investigating the Concentration of Heavy Metals in the Soil from the 1960 Hilo, Hawaii Tsunami
Jared Goodwin is from Hilo, Hawaii
Project CHEM059T: Photocatalytic Ceramic Paint to Purify Air
Fernando Miguel Sanchez Villalobos Jesus Alfonso Martinez Aranda Jose Manuel Elizade Esparaza above: in Monterrey, Mexico
When not producing films, Diane, Laura and Melanie can be found promoting science in other ways.
Quinn Costello, editor & co-producer of the documentary, RODENTS OF UNUSUAL SIZE, share his thoughts & experiences in creating this joyful exploration of the “Giant Swamp Rats Are Literally Eating Louisiana”.
Hard headed Louisiana fisherman Thomas Gonzales doesn’t know what will hit him next. After decades of hurricanes and oil spills he faces a new threat – hordes of monstrous 20 pound swamp rats. Known as “nutria”, these invasive South American rodents breed faster than the roving squads of hunters can control them. And with their orange teeth and voracious appetite they are eating up the coastal wetlands that protects Thomas and his town of Delacroix Island from hurricanes. But the people who have lived here for generations are not the type of folks who will give up without a fight. Thomas and a pack of lively bounty hunters are hellbent on saving Louisiana before it dissolves beneath their feet. It is man vs. rodent. May the best mammal win.
Award winning non-fiction filmmakers Quinn Costello, Chris Metzler and Jeff Springer have traveled to many corners of the world in search of unique stories highlighting the important environmental, scientific and cultural issues of contemporary society. With the success of documentary projects as varied as PLAGUES & PLEASURES ON THE SALTON SEA, THE NEW ENVIRONMENTALISTS and EVERYDAY SUNSHINE: THE STORY OF FISHBONE they have gone on to screen their work at SXSW and Tribeca along with national TV broadcasts on PBS and the Sundance Channel. Along the way they have continued to pursue other sub-cultural documentary subjects, including: rogue economists, lucha libre wrestlers, ganja-preneurs and evangelical Christian surfers.
The filmmakers of RODENTS OF UNUSUAL SIZE grew up in different parts of the country, but a passion for the swamp sealed their pact. Cajun Reeboks were donned and the journey began in search of the notorious “nutria rat”. Four years after first setting sail for Louisiana they emerged from the bayou covered in mosquito bites and an unwavering love for a place at the “End of the World” that is bursting with joy.
One person’s pest is another person’s pet.
Native to South America, nuria were introduced to the Bayou to be farmed for fur production during the Great Depression. Some escaped, and with no natural predators, they out-populated the native muskrats. Their numbers were kept somewhat in check until the anti-fur movement of the 1980s wiped out the fur market.
The population soon sky-rocketed to more than 25 million, literally eating the wetlands & causing tremendous environmental destruction. The state of Louisiana instituted the Nutria Control Program, which pays $5/tail.
Righteous Furs, a collective of fashion designers, prides themselves in utilizing nutria pelts. Their motto is “Save Our Wetlands. Wear more nutria.”
Efforts to create a nutria cuisine have been less successful.
BURNED: ARE TREES THE NEW COAL? tells the little-known story of the accelerating destruction of our forests for fuel, and probes the policy loopholes, huge subsidies, and blatant green-washing of the burgeoning biomass power industry.
A dedicated group of forest activists, ecologists, carbon scientists, and concerned citizens fight to establish the enormous value of our forests, protect their communities, debunk this false solution to climate change, and alter energy policy both in the US and abroad. The directors/producers of BURNED, Alan Dater & Lisa Merton say, “It’s not too late.”
Alan Dater has decades long experience in many different aspects of film making, working on such films as “Johnny Cash! The Man, His World, His Music”; Emmy Award winning TV medical series, as well as National Geographic Specials. He moved to Vermont in the 1970s, where he started Marlboro Productions.
Lisa Merton joined him in 1989. Together, she & Alan have co-directed/produced such films as HOME TO TIBET, about a Tibetan refugee’s return to his homeland, and TAKING ROOT: THE VISION OF WANGARI MAATHAI, founder of the Green Belt Movement of Kenya, & the first environmentalist, as well as African woman, to win the Nobel Peace Prize. It won numerous international awards. Since 1996, Lisa has been a member of New Day Films, a documentary film collective.
In this edition of Forthright Radio, we focus on the final clause of the First Amendment, which addresses “the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.” Governments around the world have developed ways to suppress the right that right, using diverse methods, including what are euphemistically called “non-lethal” or “less than lethal” weapons. Indeed, we live in an age of “the commodification of repression,” where global industries profit on the suppression of the right of the people to petition their government.
Anna Feigenbaum is currently a principal Academic in Digital Storytelling at Bournemouth University, where she teaches multimedia journalism and convenes their Civic Media Hub. In the Fall of 2017, Verso published her most recent bookTear Gas: From the Battlefields of WW1 to the Streets of Today. Funded by a Wellcome Trust Medical Humanities grant, she used archival and data storytelling methods to track the movement of tear gas from the trenches of WW1 to the streets of today, asking
‘How did it become normal to police communication with poison’?
Her earlier book, which she co-edited, is Protest camps in international context: Spaces, infrastructures and media of resistance. She has held positions at Rutgers University, the London School of Economics & Political Science, and the University of London. Her work has appeared in numerous, diverse journals from The Atlantic to The Guardian, Financial Times and Waging Nonviolence.
PIETÀ Gaza City, Gaza Strip May 14, 2018
The mother of Leila al-Ghandour, a Palestinian baby of eight months, holds her body at the morgue of al-Shifa hospital. According to the Palestinian health ministry Leila died of teargas inhalation during clashes in East Gaza the previous day
State troopers wear gas masks as tear gas is fired on about 600 marchers trying to cross the Edmund Pettus Bridge in Selma, AL. They had begun a 50 mile march to the state capital, Montgomery, to protest discriminatory practices preventing black people from voting. State troopers used brutal force to push them back on what became known as “Bloody Sunday”. Charles Moore via Steven Kasher Gallery
Police surround an incapacitated man after throwing tear gas into the crowd of protesters, 1968, Kansas City, Mo.
Credit Western Historical Manuscript Collection
Photographer Nacio Jan Brown captured a moment that shocked many: a National Guard helicopter spraying tear gas on students and antiwar protesters in Sproul Plaza on May 20, 1969 — in some sense extending “the front” from Vietnam onto college campuses. The juxtaposition of the military-grade helicopter with the Campanile — the unofficial symbol of the UC Berkeley campus — helped make this photograph an iconic image of the suppression of campus protest. The demonstrators had gathered to commemorate the death of James Rector, who had been shot by police while on the rooftop of Granma Books on May 15, during a protest over the disposition of People’s Park.
Two street stencils on walls in Istanbul Inspired by the protests in Taksim Gezi Park, Istanbul, the summer of 2013, when CNN Turkey aired a penguin documentary, while CNN International ran live coverage of the protests.
Sites of protest and political contention are often shaped by ‘other media’. Anna Feigenbaum looks beyond taken-for-granted media devices and practices and returns to the foundational roots of Communication Theory’s ‘the medium and the message’.
In addition to smartphones, Facebook pages, political posters and live-streaming laptops, communication involves all kinds of other technologies. Such “other media” objects include the fences, walls, and barricades, that become sites of and for communication. This ‘other media’ also includes ‘container technologies’ like shoeboxes or sound grenades, which function as storage devices, as well as re-crafted objects that become transformed through practices of disobedient design.
#teargasID The Riot ID Project
Who are the World’s Heaviest Tear Gas Users? Our 2015 Mapping the Media project on Tear Gas is now live! Check out the maps on our BU Civic Media Hub website.
Anna Feigenbaum, author of Tear Gas: From the Battlefields of WWI to the Streets of Today, in conversation with L.A. Kauffman, Mark Bray, Ali Issa, and Ajay Singh Chaudhary. At Verso Books in Brooklyn, November 8, 2017.