The documentary, BODY PARTS, traces the evolution of “sex” on-screen from a woman’s perspective, uncovering the uncomfortable realities behind some of the most iconic scenes in cinema history and celebrating the courageous individuals leading the way for change. It’s an eye-opening investigation into the making of Hollywood sex scenes, shedding light on the actors’ real-life experiences, and tracing the legacy of exploitation of women in the entertainment industry, as well as recent hard fought changes in that industry.

On May 1, 2023, we spoke with Director, Kristy Guevara-Flanagan, and Producer, Helen Hood Scheer, about BODY PARTS, which will be screening at this year’s Mendocino Film Festival at Crown Hall on Sunday June 4 at 1pm.

Kristy Guevara-Flanagan is an Associate Professor at UCLA’s School of Theatre, Film and Television, where she heads the MFA Directing Documentary concentration. She has been making documentary films that focus on gender and representation for nearly two decades, starting with a 1999 experimental documentary about a blow-up doll (which screened at the Los Angeles Country Museum of Art, among other venues). Guevara-Flanagan’s documentary and experimental films have screened at the Sundance, Tribeca, SXSW, and HotDocs film festivals and the Getty Museum. Her work has been broadcast on PBS and the Sundance Channel, received numerous awards, and been funded by ITVS, the Sundance Institute, the Tribeca Institute, Latino Public Broadcasting and California Humanities.

Helen Hood Scheer  is an award-winning documentary filmmaker, freelance producer, and associate professor at California State University Long Beach, where she spearheads the creative nonfiction track and serves as the internship advisor for students in the Department of Film and Electronic Arts. In 2023, she won CSULB’s Distinguished Teaching Award. Throughout her instruction, service, and professional work, Helen is a strong advocate for students. In 2020, she  received the  Advancement of Women Award from the  CSULB President’s Commission on the Status of Women, and both Helen and her students were  featured in Claiming the Director’s Chair, an article expressing the CSU’s commitment to preparing  the next generation of female filmmakers for California’s multi-billion dollar entertainment industry.