Brothers Parker and Graham Phillips co-wrote, co-directed, and co-produced a magnificent contemporary Western, THE BYGONE, which tackles difficult issues such as sex trafficking, missing and murdered Indigenous women, the decline of ranching, and the corrupting influence attending resource extraction.When a young rancher, Kip Summer, played by Graham Parker, crosses paths and falls in love with a Lakota girl, Waniya, from a nearby reservation, her mysterious disappearance sparks a search that uncovers a harrowing past and hints at a dire future.The awful realities of sex trafficking among the man camps and bars in fracking site boom towns, and the inability of overwhelmed local law enforcement to cope leads to a dramatic series of show downs and shoot-outs in the best Western tradition.The well researched screenplay is rich with symbols and informed with a sensitivity to historic and current inequities between Indigenous and Anglo cultures, as well as the conflicts between ranching and fracking. The ensemble cast was clearly dedicated to portraying each character’s role with utter conviction.The cinematography serves the action far better than the normal Western and is deserving of its own award.
The Bygone will be having its premiere at the BZN International Film Festival on Friday, June 7 at 8pm in the Rialto Black Box. The filmmakers expect to attend for a Q&A.
For more information or to purchase tickets: bozemanfilmcelebration.com
THE LAST BEYOND is an intimate western set in Montana during the Great Depression about death, love, and rebirth. It follows a rancher named Stratton Eiseley who loses his father to illness and his ranch to foreclosure setting him adrift. Shortly after he meets three people and they change each other’s lives. Joe Running Elk and his grandfather, Flying Bear, are Pend o’Reille Indians who like Stratton feel like they’re living in a world that has left them behind. They become fugitives from twentieth century America and take to the mountains to make whiskey and restore their connection to the land. Noah Watts, who plays Joe Running Elk, is a member of the Crow and Blackfeet tribes and grew up in Bozeman, MT. Stephen Small Salmon, who plays Flying Bear, is a Pend d’Oreille elder from the Salish-Kootenai Reservation. They converse in Salish with English subtitles.As Stratton falls in love with a writer named Gracie Loren it seems that their lives are improving, but trouble follows them.THE LAST BEYOND was filmed in Livingston, the Gallatin National Forest, Paradise Valley and other locations familiar to the Gallatin Valley community. Husband and wife filmmakers, writer/director, Graham DuBose, and editor/producer, S.K. DuBose, will be attending the screening of THE LAST BEYOND, which will be having its premiere at the upcoming BZN International Film Festival on June 7, 2019 at 3pm in the Rialto Black Box.
For more information or to purchase passes: bozemanfilmcelebration.com
David Treuer is Ojibwe from the Leech Lake Reservation in northern Minnesota. The author of four previous novels, most recently Prudence, and two books of nonfiction, he has also written for The New York Times, Los Angeles Times, Esquire, Slate, and The Washington Post, among others. He has a Ph.D. in anthropology and teaches literature and creative writing at the University of Southern California.
David Treuer’s latest book, THE HEARTBEAT OF WOUNDED KNEE: NATIVE AMERICA FROM 1890 TO THE PRESENT, is published by Riverhead Books.
Here is an edited extract from The Heartbeat at Wounded Knee: Native America from 1890 to the Present, referenced in this interview, which was published in The Guardian.
Julian Brave NoiseCat is an enrolled member of the Canim Lake Band Tsq’escen in British Columbia. He is a graduate of Columbia University, and received a Clarendon Scholarship to study global and imperial history at the University of Oxford. He was formerly the native issues fellow at The Huffington Post. He writes for The Guardian, The Nation, The Paris Review, CBC, Vice, Pacific Standard, Dissent, Jacobin, Fusion, Indian Country Today, Salon, High Country News, Canadian Geographic, Frontier Magazine, World Policy Journal as well as other publications.
Julian Brave NoiseCat, a contributing editor of the newly unveiled Indigenous Peoples Atlas of Canada, points on a giant map at a launch event in Toronto, Wednesday August 29, 2018. The Indigenous Peoples Atlas of Canada includes a four volume print atlas, an online atlas, an app, and a giant floor map. (THE CANADIAN PRESS/Mark Blinch)
We first had Dahr Jamail on Forthright Radio in March, 2005 with Mark Manning, to discuss what was going on with the U.S.’s Second Siege of Fallujah, Iraq. He courageously went there un-embedded and defied the military information blockade to report what had actually happened there. Since then he has been our guest five times over the years.
For the past few years, he has been focusing on Climate Disruption in various journals, including truthout.org, where he had been publishing monthly Climate Dispatches.
And now his book, THE END OF ICE: BEARING WITNESS AND FINDING MEANING IN THE PATH OF CLIMATE DISRUPTION has been published by The New Press. He goes to many places around the world and speaks with indigenous people and scientists on the front lines of what can only be described as an accelerating global disaster of human caused climate disruption, geological change and mass extinction. Unlike most other narratives of climate disruption, not only does he document the science, but he also addresses the emotional, psychological, philosophical and ethical dimensions.
I was struck by a simple observation he makes between the outlook of dominant settler colonialist cultures, which speak of rights, and of most indigenous cultures, which emphasize obligations. That lead to what one of your interviewees called “the con job of hope and hopelessness,” and what you say is “the necessity of unblocking grief.”
IN SEARCH OF THE CANARY TREE: THE STORY OF A SCIENTIST, A CYPRESS, AND A CHANGING WORLD, published by Basic Books, chronicles the six years Lauren E. Oakes, PhD, spent beginning in 2010, as a young Stanford University scientist, doing doctoral research in South East Alaska, studying the mysterious die-back of ancient yellow cedar trees. Hers was a multi-disciplinary approach. In addition to the grueling field work studying thousand of trees, and countless other plants in the changing forests, she also interviewed local folks, including native Tlingit weavers, timber operators, other scientists, and just regular folks who enjoy the forests for recreation. There were many surprises along the way, which she shares with us in this interview.
In this edition of Radio Goes to the Movies, we speak with Bozeman resident, Christi Cooper, about her years of work documenting the increasingly powerful movement of young people, who are challenging the U.S. Government and the fossil fuel industry for violation of their Constitutional rights under the Fifth Amendment to Life, Liberty and Property.
Her film, a work in progress, YOUTH V. GOV, screens at the BZN International Film Festival on June 9 at the Willson Auditorium at 7:45 p.m. Victoria Barrett, a 19-year-old college student from White Plains, NY, who is one of 21 youth plaintiffs suing the U.S. government in the landmark constitutional climate change lawsuit, will also be attending for a discussion afterwards.
In this groundbreaking civil rights lawsuit, guided by Julia Olson, their lead attorney, 21 American youth take the US government and the fossil fuel industry to court for creating a climate emergency that threatens the future of the youngest generations.
This is not the typical climate change film. YOUTH V GOV brings a new perspective not yet explored. And in the end, YOUTH V GOV will activate youth, millennials, and adults to engage as citizens and to lean heavily on the pillars of democracy that we rely on for the future of our country and the world.
In this edition of Radio Goes to the Movies, Gale Anne Hurd tells us about her feature length film, MANKILLER, which recounts the life of Wilma Mankiller, who overcame rampant sexism and personal challenges to emerge as the Cherokee Nation’s first woman Principal Chief in 1985.
It is the story of an American hero. One who stands tall amongst the likes of Robert Kennedy, Harriet Tubman and Martin Luther King, Jr. Someone who humbly defied the odds and overcame insurmountable obstacles to fight injustice and gave a voice to the voiceless. And yet few people know her name.
Although beset with numerous health problems over many years, Wilma Mankiller persevered in breaking the cycle of poverty among her people and forged a new economic model to bring health and prosperity to the Cherokee Nation.
She was the embodiment of the Cherokee principle of Gadugi– in a positive manner that benefits the entire community.
MANKILLER Centerpiece Screening at the Bozeman International Film Festival
WHEN: Saturday June 9th, 8:15pm
WHERE: The Crawford Theater at the Emerson Center for Arts and Culture; 111 South Grand Avenue, Bozeman, MT 59715
A Q&A with Executive Producer Gale Anne Hurd and Director/Producer Valerie Red-Horse Mohl to follow.
In this edition of Radio Goes to the Movies, we speak with Jill Momaday about her documentary short film, RETURN TO RAINY MOUNTAIN.
Based on the life of her father, Pulitzer Prize winning author, N. Scott Momaday, they retrace the route of his bestselling book, The Way to Rainy Mountain, visiting sacred Kiowa ancestral sites that inform the ancient myths, legends and oral traditions of their people.
It will be screening Friday morning, June 8 at 10:00 in the Hager Auditorium in the Museum of the Rockies in Bozeman, MT, as part of the BZN International Film Festival.
Quinn Costello, editor & co-producer of the documentary, RODENTS OF UNUSUAL SIZE, share his thoughts & experiences in creating this joyful exploration of the “Giant Swamp Rats Are Literally Eating Louisiana”.
Hard headed Louisiana fisherman Thomas Gonzales doesn’t know what will hit him next. After decades of hurricanes and oil spills he faces a new threat – hordes of monstrous 20 pound swamp rats. Known as “nutria”, these invasive South American rodents breed faster than the roving squads of hunters can control them. And with their orange teeth and voracious appetite they are eating up the coastal wetlands that protects Thomas and his town of Delacroix Island from hurricanes. But the people who have lived here for generations are not the type of folks who will give up without a fight. Thomas and a pack of lively bounty hunters are hellbent on saving Louisiana before it dissolves beneath their feet. It is man vs. rodent. May the best mammal win.
Award winning non-fiction filmmakers Quinn Costello, Chris Metzler and Jeff Springer have traveled to many corners of the world in search of unique stories highlighting the important environmental, scientific and cultural issues of contemporary society. With the success of documentary projects as varied as PLAGUES & PLEASURES ON THE SALTON SEA, THE NEW ENVIRONMENTALISTS and EVERYDAY SUNSHINE: THE STORY OF FISHBONE they have gone on to screen their work at SXSW and Tribeca along with national TV broadcasts on PBS and the Sundance Channel. Along the way they have continued to pursue other sub-cultural documentary subjects, including: rogue economists, lucha libre wrestlers, ganja-preneurs and evangelical Christian surfers.
The filmmakers of RODENTS OF UNUSUAL SIZE grew up in different parts of the country, but a passion for the swamp sealed their pact. Cajun Reeboks were donned and the journey began in search of the notorious “nutria rat”. Four years after first setting sail for Louisiana they emerged from the bayou covered in mosquito bites and an unwavering love for a place at the “End of the World” that is bursting with joy.
One person’s pest is another person’s pet.
Native to South America, nuria were introduced to the Bayou to be farmed for fur production during the Great Depression. Some escaped, and with no natural predators, they out-populated the native muskrats. Their numbers were kept somewhat in check until the anti-fur movement of the 1980s wiped out the fur market.
The population soon sky-rocketed to more than 25 million, literally eating the wetlands & causing tremendous environmental destruction. The state of Louisiana instituted the Nutria Control Program, which pays $5/tail.
Righteous Furs, a collective of fashion designers, prides themselves in utilizing nutria pelts. Their motto is “Save Our Wetlands. Wear more nutria.”
Efforts to create a nutria cuisine have been less successful.